SUBSTANCE SCI FI FLOOR GENERATOR HOW TO

I haven't done the old blue and orange scheme in quite a while, so I figured I'd go for it with this piece.

Lighting is extremely important and can really make a scene pop. If I wasn't so focused on environment art, I'd probably focus on lighting.

While doing that, it's easy to spot areas in your workflow that can use improvement. Another great way to improve your workflow is to try things that are out of your comfort zone. Getting different viewpoints on your work will really expand your horizons. Being a part of a community and swapping critique and advice really helps you grow as an artist. There are a couple of ways that I've improved my workflow over the years, but the best way has always been seeking critique and advice from other artists. It's definitely something that I'll be able to take to future projects and implement to make my work better! It's really important to have a sense of how the scene as a whole is. That's something that I always have to catch myself on, because I'll sometimes get so caught up in the details that I put the composition off.

SUBSTANCE SCI FI FLOOR GENERATOR HOW TO

I learned a lot from this scene! I'd say that the most important thing I learned was how to see the forest for the trees.

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Sander Agelink - Modular Building Exercise.

David - High Voltage - Living Station in UE4.

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Ted - The Waiting Place - Unreal Cinematic.

Yurie Kawana - Tech Art| Lighting | Recipe for Excellence in UE4.

Dylan Salvaio - STYLIZED MATERIALS IN SUBSTANCE DESIGNER WITH DYLAN SALVAIO.

Timothy Dries - The Environment Artist's Blog.

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Ben Keeling - Environments, Foliage and Materials.

Tom Carter - Atmospheric Cave with Photoscan and Procedural Tools.

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Maria - UNDERSTANDING EXTERIOR AND INTERIOR LIGHTING IN UNREAL ENGINE.

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Robert - IROHвЂ™S BOOKSTORE - CREATING AN ORGANIC FANTASY ENVIRONMENT WITH STORY AND CHARACTER.

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JEssica Helgesson - Senior 3D Artist Q&A.

Chris Doretz - Principles Of Concept Design.

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Substance sci fi floor generator